Resistance Rising – Johnny Cirucci

Resistance Rising 156: Resistance Is Rising In The Black Pope’s Back Yard

Johnny Cirucci — Sat, 21 Oct 2017 20:49:16 +0000

VENEZUELA PROTEST DEATH TOLL REACHES 100

NEW BLACK POPE SAYS SATAN IS “ONLY A SYMBOL”

ARTURO SOSA CRITICIZES BIBLICAL EXPLANATION OF MARRIAGE

FRANCIS AND HIS GRAND CHANCELLOR OF THE PONTIFICAL THEOLOGICAL INSTITUTE FOR MARRIAGE AND FAMILY SAY HELL DOESN’T EXIST

JESUIT SUPERIOR GENERAL SIGNED LETTER PRAISING FIDEL CASTRO IN 1989

DIRTY WARS JORGE EMBRACES VENEZUELA’S BLOODY DICTATOR

CHRISTOPHER COLUMBUS WAS A COLONNA, SECURED AMERICA FOR ROME

This fact is well known to political machines and non-Catholic politicians, whose candidates must receive the approval of Rome and the Knights before they dare nominate them for either dog pound or presidency.

Knights of Columbus have assured me that their organization, with the Church of Rome, controls the Municipal, State and Federal Government, and also influences the business interests throughout the country. They have also assured me within the past few years that it is almost impossible for a man to secure a position or promotion in any business house or corporation, if a Knight of Columbus be a competitor. ~ Romanism: A Menace to the Nation, Jeremiah J. Crowley, Crowley, Wheaton, Illinois (1912), p. 157

Resistance Rising 155: This Is What They Fear—Johnny Reviews Shin Gojira

Johnny Cirucci — Tue, 10 Oct 2017 18:43:29 +0000

“EVANGELICAL CATHOLIC” MIKE PENCE VOWS TO RETURN TO THE MOON

JAKE TAPPER OUTS “EVANGELICAL CATHOLIC” MIKE PENCE AS “ONE OF US COMET PIZZA PEDOS”

HE WOULD KNOW: JENNIFER TAPPER LOVES TO TAKE THE KIDS TO COMET PING PONG PIZZA

PAPAL COURT JEWS FALLING ALL OVER THEMSELVES TO THROW OTHER JEWS UNDER THE LOLITA EXPRESS

https://www.youtube.com/watch?v=Q-5QHQ3M94g&t=95s

NBC: PHONY LAS VEGAS “GUNMAN” GIRLFRIEND IS A ROMAN CATHOLIC

JEW-BAITERS INADVERTENTLY LEAK LAS VEGAS AS THE WORLD’S PEDO CAPITAL

Resistance Rising 154: Riding Through The Circus On A Monster

Johnny Cirucci — Tue, 03 Oct 2017 19:45:31 +0000

Karl Tunberg got the script after numerous re-writes and stripped out a good deal of material that had been in the novel, including a substantial chunk of material that follows the fate of the characters after the Crucifixion.

Wyler intensely disliked Tunberg’s dialog, which he felt was too modern, and so he hired Gore Vidal to re-do the dialog. In 1995, Vidal famously claimed that he felt that the dynamic between Judah and Messala only made sense if the two men had once been lovers and that Messala was hoping to get back together with Judah but felt rejected after Judah spurned his advances. According to Vidal, he persuaded Wyler to accept his reading, and told Stephen Boyd, who was playing Messala, to play the scenes that way, but did not tell Heston. When the notoriously conservative Heston learned about Vidal’s claim, he vehemently denied it, but if Vidal’s story is true, Heston wouldn’t have known about it. …

Regardless of whether Vidal added a homoerotic subtext or not, the film made other changes to the novel. Wallace’s novel is unabashed in its treatment of Christianity being superior to Judaism; the major Jewish characters mostly wind up converting to Christianity after all. Wyler’s version, which was made about a decade after the establishment of the modern state of Israel, was more respectful to Judaism. Jesus’ face is not shown and the actor who played him was not given any lines. Although the ending strongly hints at Ben-Hur’s conversion, it doesn’t make it explicit.

In 2003, Charleton Heston reprised his role in an animated version of the story, produced by his own production company. This version returns to Wallace’ approach to the religious issue. Jesus (voiced by Scott McNeill) is seen and given dialog. Ben-Hur’s sister and mother are both miraculously healed of leprosy, and Messala is miraculously cured of the injured leg he received in the chariot race. Mary Magdalene witnesses Jesus’ resurrection and ascent into Heaven, and the film closes with Judah teaching his children to be Christians.

~ Ben-Hur: A Long History, An Historian Goes to the Movies

I spent sleepless nights trying to find a way to deal with the figure of Christ. It was a frightening thing when all the great painters of twenty centuries have painted events you have to deal with, events in the life of the best-known man who ever lived. Everyone already has his own concept of him. I wanted to be reverent, and yet realistic. Crucifixion is a bloody, awful, horrible thing, and a man does not go through it with a benign expression on his face. I had to deal with that. It is a very challenging thing to do that and get no complaints from anybody.

–Wyler on the difficulty of shooting the crucifixion scene.

~ Wikipedia citing A Talent For Trouble: The Life Of Hollywood’s Most Acclaimed Director, William Wyler, Jan Herman Da Capo Press (August 22, 1997), p. 410